CDNJT 5310

CDNJT 5311

CDNJT 5312

CDNJT 5314

These sessions were recorded for radio broadcast purposes and, as such, not issued commercially. Vocalion presents them on CD for the first time, remastered from the original tapes.

These sessions were recorded for radio broadcast purposes and, as such, not issued commercially. Vocalion presents them on CD for the first time, remastered from the original tapes.

These sessions were recorded for radio broadcast purposes and, as such, not issued commercially.
Vocalion presents them on CD for the first time.

These sessions were recorded for radio broadcast purposes and, as such, not issued commercially.
Vocalion presents them on CD for the first time.

These sessions were recorded for radio broadcast purposes and, as such, not issued commercially.
Vocalion presents them on CD for the first time.

These sessions were recorded for radio broadcast purposes and, as such, not issued commercially.
Vocalion presents them on CD for the first time.

“Miss Jacoby has the chops for Shostakovich’s neurotic, hyperactive, sometimes eccentric mood changes. Maestro Mackerras, with his dual affinities for Mozart and Janaček finds a perfect mating of both in Shostakovich’s orchestration. The music-making here is expressive where it should be, light, quick, and playful where called for, and always cleanly balanced on a keen razor’s edge. The piano tone has a pleasant body and heft appropriate to the music, properly matching the orchestra’s firm, solid tone.”
Lawrence Hansen, American Record Guide, July 2003

SACD VERSION - CDSA 4804

CDSA 6800

CDSA 6801

“... the remarkable Ingrid Jacoby ... giving stunning accounts of Mussorgsky’s Pictures at an Exhibition and Prokofiev’s daunting Seventh Sonata.”
Foreword of The Penguin Guide to CDs 2002-3 edition

“All in all, this is a sensitive and thoughtful recital.”
The Gramophone, December 2001

CDSA 6802

CDSA 6803

“Miss Jacoby has the chops for Shostakovich’s neurotic, hyperactive, sometimes eccentric mood changes. Maestro Mackerras, with his dual affinities for Mozart and Janaček finds a perfect mating of both in Shostakovich’s orchestration. The music-making here is expressive where it should be, light, quick, and playful where called for, and always cleanly balanced on a keen razor’s edge. The piano tone has a pleasant body and heft appropriate to the music, properly matching the orchestra’s firm, solid tone.”
Lawrence Hansen, American Record Guide, July 2003

CDSA 6804