2 CD SET - 2CDEA 5010

2 CD SET - 2CDEA 5011

2CDLK 4301

Although marked as "Out of Stock", we have very low stock levels of this title. If you wish to purchase a copy (in some cases the only copy), either

telephone: (in UK) (01923) 803 001 or (outside the UK) +44 1923 803 001

or, email: orders@duttonvocalion.co.uk

telling us which CD you wish to buy. We will process the order immediately.
Normal postage and packing charges apply.

Please quote catalogue no. 2CDLK4301

“The music succeeds on its own terms and is special enough to warrant the occasion. Mike Gibbs’s ‘Sonnet’ opens the record using Eastern modal scales to drone-like effect and with excellent solos from Tracey and Wheeler. A real rarity.”
Duncan Heining, Jazzwise, March 2006

“A sprawling but fitfully absorbing Shakespeare tercentenary live tribute. Stan Tracey's Alas Sweet Lady, a jazz-balladish reverie, stands up best over the years, with its whimsically imperious Tony Coe tenor-sax solo and subtle narrative development from Norma Winstone…. A slice out of a time of fast-changing values in jazz.”
John Fordham, The Guardian, 23 December 2005

2 CD SET - 2CDSML 8412

M.F. Horn 3, recorded during this period, displays possibly the strongest bias towards jazz-rock of any of his albums, and it’s impossible to resist the music’s muscular, propulsive rhythms. Maynard, whose soloing on trumpet, flugelhorn and superbone borders on the miraculous, is backed up by an all-star cast of mostly British musicians including drummer Randy Jones, pianist Pete Jackson, bassist Dave Markee and trumpeter/flugelhorn player Alan Downey. On one of the pieces Maynard is joined by his old friend Vimu Mukunda, here playing the veena. M.F. Horn 4 & 5, recorded in July 1973 before an invited audience at New York’s famous Jimmy’s jazz club, has now passed into legend and is widely regarded as possibly being Maynard’s finest big band recording. The twelve-piece group Maynard took into Jimmy’s that July day – comprised mainly of American, European and British musicians – is one of the best he assembled in his long and illustrious career. The passion, virtuosity and intensity with which they play is nothing short of stunning. There are plenty of solo opportunities for Maynard and fellow trumpeter Bob Summers, New Zealand-born baritone saxophonist Bruce Johnstone and Dutch tenor saxophone genius Ferdinand Povel within the furiously swinging, emotionally charged arrangements of gems such as Mike Abene’s The Fox Hunt, Don Menza’s Two for Otis, Pete Jackson’s Teonova and many others. Maynard and his band play out of their skins, and Vocalion are delighted to bring these milestone Maynard Ferguson recordings to a new audience in the twenty-first century.

2 CD SET - 2CDSML 8429

"Although Europe has produced many an accomplished and innovative jazz musician, a great number of ultra-talented ones remain in obscurity. Vocalion puts the spotlight on one such forgotten genius, British trumpeter Harry Beckett. The double CD combines the latter two of his three sessions for RCA; which were not only his debut recordings as a leader but also remain the most critically acclaimed of all his work."
"The sound quality of both sets is excellent ... In short this an exciting reissue of a great pair of albums by an often undeservingly overlooked master musician."
Hrayr Attarian, All About Jazz, 20 May 2007

2 CD SET - 2CDSML 8430

Compiled by Raymond Holden

If asked to describe Sir John Barbirolli’s legacy, most questioned would mention his recordings, while few, if any, would nominate his writings, speeches and interviews. Yet, during the course of his career, he was in great demand as a writer and as a public speaker. Having realized early in his professional life that the spoken word and the written text were important weapons in his musical armoury, he used them to great effect in pursuing his artistic objectives. With a manner that was open and honest, he used these tools to charm administrators, to cajole musicians and to educate audiences. By combining wit with scholarship, he left readers and listeners in no doubt of the spiritual importance of music and of its central place within the fabric of society as a whole.

For those interested in the performance, social and economic histories of music during the first seven decades of the twentieth century, or for those simply fascinated by the life and times of Barbirolli, this book is essential reading. It contains much new information about Barbirolli and charts not only his artistic aspirations and achievements but also the social and economic influences that affected his day-to-day activities as a performing musician.

A CD of a recorded interview with Sir John and Michael Kennedy is included with the book.

CDBK 1802

CDBP9702